If parapolitics, a branch of radical criminology that studies the interactions between public entities and clandestine agencies, is to develop as an academic discipline, then it must develop a coherent theory of aesthetics in order to successfully perform its primary function: to render perceptible extra-judicial phenomena that have hitherto resisted formal classification. Wilson offers the work of H.P. Lovecraft (1890-1937) as an example of the relevance...

"Summer, 1957. Atticus Turner and his father, Montrose, travel to North Carolina, where they plan to mark the centennial of their ancestor's escape from slavery by retracing the route he took into the Great Dismal Swamp. But an encounter with an old nemesis turns their historical reenactment into a real life-and-death pursuit. Back in Chicago, George Berry fights for his own life. Diagnosed with cancer, he strikes a devil's bargain with the ghost...

An extensively annotated anthology of twenty-two of the horror master's best writings also examines Lovecraft's rise and accomplishments against a backdrop of the pulp fiction era while evaluating his influence on literature.

"The late Professor Angell's research has been discovered by his grand-nephew, Francis Wayland Thurston. Francis delves into the papers and discovers a bas-relief depicting an odd creature with an octopoid head, spurring him to read on. He learns of the raid led by Inspector Legrasse and the voyage of the Vigilant, captained by Gustaf Johansen."--

A graphic retelling of the classic horror story by H.P. Lovecraft, in which the monster Cthulhu awakes to threaten the world.