Framed : the new woman criminal in British culture at the Fin de Siècle
(eBook)

Book Cover
Average Rating
Published
Ann Arbor : University of Michigan Press : University of Michigan Library, ©2008.
Format
eBook
ISBN
9780472024469, 0472024469, 9780472900473, 0472900471, 1282445243, 9781282445246, 9786612445248, 6612445246
Physical Desc
1 online resource (xii, 284 pages) : illustrations
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Staff View

Grouped Work ID
31706341-6d1b-5f83-118c-cfb41fb4da2b-eng
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Grouped Work ID31706341-6d1b-5f83-118c-cfb41fb4da2b-eng
Full titleframed the new woman criminal in british culture at the fin de sie cle
Authormiller elizabeth carolyn
Grouping Categorybook
Last Update2024-08-15 16:24:25PM
Last Indexed2024-12-11 19:59:57PM

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Last UsedSep 15, 2024

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First DetectedAug 15, 2024 04:26:11 PM
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1001 |a Miller, Elizabeth Carolyn,|d 1974-|1 https://id.oclc.org/worldcat/entity/E39PBJkXvGP6GqH7BFTtGdMtrq
24510|a Framed :|b the new woman criminal in British culture at the Fin de Siècle /|c Elizabeth Carolyn Miller.
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504 |a Includes bibliographical references and index.
504 |a Includes filmography.
50500|t Private and public eyes : Sherlock Holmes and the invisible woman --|t Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --|t The limits of the gaze : class, gender, and authority in early British cinema --|t Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --|t "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.
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520 |a Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.
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546 |a English.
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648 7|a 1800-1899|2 fast
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650 0|a Detective and mystery stories, English|x History and criticism.
650 0|a English fiction|y 19th century|x History and criticism.
650 0|a Female offenders in literature.
650 0|a Terrorism in literature.
650 0|a Consumption (Economics) in literature.
650 0|a Feminism and literature|z Great Britain|x History|y 19th century.
650 0|a Literature and society|z Great Britain|x History|y 19th century.
650 0|a Detective and mystery films|z Great Britain|x History and criticism.
650 0|a Women in popular culture|z Great Britain|x History|y 19th century.
650 6|a Roman anglais|y 19e siècle|x Histoire et critique.
650 6|a Criminelles dans la littérature.
650 6|a Terrorisme dans la littérature.
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650 6|a Films de détective|z Grande-Bretagne|x Histoire et critique.
650 6|a Femmes dans la culture populaire|z Grande-Bretagne|x Histoire|y 19e siècle.
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650 7|a Roman|z englischer|x Motiv|x Frauenkriminalität.|2 idsbb
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650 7|a Kriminalliteratur|z englische|y Geschichte 19. Jh.|2 idsbb
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651 7|a Großbritannien|2 gnd
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655 7|a Criticism, interpretation, etc.|2 fast
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Language
English
UPC
10.3998/dcbooks.5899811.0001.001

Notes

Bibliography
Includes bibliographical references and index.
Bibliography
Includes filmography.
Restrictions on Access
Use copy,Restrictions unspecified,star,MiAaHDL
Restrictions on Access
Open Access,EbpS
Description
Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.
Reproduction
Electronic reproduction.,[Place of publication not identified] :,HathiTrust Digital Library,,2010.,MiAaHDL
System Details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.,http://purl.oclc.org/DLF/benchrepro0212,MiAaHDL
Language
English.
Action
digitized,2010,HathiTrust Digital Library,committed to preserve,pda,MiAaHDL

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Citations

APA Citation, 7th Edition (style guide)

Miller, E. C. (2008). Framed: the new woman criminal in British culture at the Fin de Siècle . University of Michigan Press : University of Michigan Library.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Miller, Elizabeth Carolyn, 1974-. 2008. Framed: The New Woman Criminal in British Culture At the Fin De Siècle. University of Michigan Press : University of Michigan Library.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Miller, Elizabeth Carolyn, 1974-. Framed: The New Woman Criminal in British Culture At the Fin De Siècle University of Michigan Press : University of Michigan Library, 2008.

MLA Citation, 9th Edition (style guide)

Miller, Elizabeth Carolyn. Framed: The New Woman Criminal in British Culture At the Fin De Siècle University of Michigan Press : University of Michigan Library, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.